Thursday, March 22, 2018

How to avoid the scenery photography made into syrup photos

How to avoid the scenery photography made into syrup photos

To avoid making photos of landscape photography syrup, the important thing is not to improve the technology, canvas prints online australia the idea of ​​Change. Landscape photography is certainly not a simple record of the shutter, but an art of observation, discovery, reflection and expression.

Sugar tablets, acrylic prints refers to the exposure is accurate, the screen is clever, but stereotyped, cannot give the viewer any feeling of the photo. Just like sugar boiled water, sweet and tasty, but without any special feeling. (Search 'sugar tablets' keyword, out of the search results page)

How to avoid the scenery photography made into syrup photos

The film is without sugar, then or as liquor, a strong impact, stirring. Or such as tea, artistic conception far, memorable. Ordinary people do not take the scenery into the quintessential piece of syrup, is a sentence: Do not simply easy to record, but to use the eyes to observe and discover, use the mind to think and express.

First, find out with your eyes

With the development of modern science and technology and the explosion of information, the 'record' is really too modest and too dull. Go to the Master to get together attractions, without thinking imitate the classic postcard on the point of view, simply press a shutter, do not wish to make a candy is difficult. This photography is just a plain record, without any subjective work and thinking. Shoot out, of course, with the proliferation of friends circles complicated to form a difference between the photos.

So to shoot photos without sugar, the first keyword is 'found' and found to be divided into 2 types: one is to go to places where few people find unique scenery. Second, in the monotonous scenery, found extraordinary perspective and instant.

1, to find the place where few people unique scenery

When it arrives at this, it is typical of this year's National Geographic of the Year Awards. Winning photographs of the South African sardines in the migration process, surrounded by seabirds and dolphins hunt scene, very different and shock:



Another example is my photographer friend pan02, a man on foot in southeastern Tibet to visit, eventually found the pyramid at the foot of the snow-capped mountains, a perfect ice lake shooting point.

Behind this spectacular snow-capped mountains in Tibet is Pan's inference over repeated searches on satellite maps, as well as hiking on difficult plateau days.

Of course, not everyone has the energy to take pictures in sparsely populated areas, but we have a second chance to 'find'.

2, found in the public attractions unusual

Such as the Pearl Beach in Jiuzhaigou, ordinary can no longer be boring, lively attractions can no longer lively. Search 'Jiuzhaigou Pearl Beach', out of the same stereotyped results.



However, my photographer friend Ganzhou Seventh Lord, but in this place, make a lot of people make a lottery.

Whether it is the early framing, composition and just waiting to get the right light and mist, or the twilight shades of tone, put this popular attractions shot in Wonderland feeling.


Another example of this Berlin Museum scene, without hesitation, it is likely made it this way:


However, I carefully observed the objects in the stadium and finally found that, in fact, the skylight here is the most characteristic. Move around, carefully observed, eventually I found in the museum, a 'moon'!



So in predictable places, if we carefully observe and discover, still can shoot a lot of different views.

Tuesday, March 20, 2018

Three tips to set you apart from the 1.8 billion photos

Three tips to set you apart from the 1.8 billion photos

Now people's lives are full of photography. I did a little research and discovered the following Statistics. canvas prints that the average individual now shoots about 250 different images Daily. This is no longer a shock. We are now overwhelmed by visual stimuli. Everyone has a camera. Everyone
Is a photographer. 1857 Francis Frith made the pyramid photograph and the Sphinx public. Everyone is Charmed by such a distant exotic photo. Today, if I search for 'Images of the Pyramid, ' I will get 7 Million results, each of whom knows what kind of pyramid looks like. This phenomenon translates into a Photographer's challenges. How do you make a difference? When the world uploads 1.8 billion photos a Day.
1. Place the subject of the shot on the edge
We all want to look at our images and say, 'This picture is really unbelievable! I've never seen such a canvas prints online before! ' It was a difficult one, but it was worth a try. Look at some unconventional techniques
Or perspectives. Just tries to push your subject to the edge of your photo. Let's think this kayak.

We use clipping to illustrate. What is the case with your first look at this photo? I hope your answer is The red light in the middle of the screen, then move with your eyes to find the kayak. This technique Is called 'delaying', which means that before the viewer is delayed for further details, focus on the Main topic. This does mean that viewers will notice the details more slowly. When your audience finds out
All the details of your work, you may create surprise for them. It's a good thing to inspire emotions In your appreciation work to make sure they remember your photos.

2. Trichotomy is not a law at all

In the filming of this boxer and his trainer, I was disappointed and thought it said it was a failure Because it did not follow any existing rules of photography. AF-lock training gloves, not a boxer. However, after consulting with the magazine editor, he chose to use it because of its uniqueness. The picture tells the story in a different way. Note that the coach's nose is only in the top corner. The
Editor likes this element and decides his choice.

3. Find the right balance

large canvas prints is placed on the right side of the image, which is unsuccessful. Nevertheless, This photo is a good example of the importance of creating a visual balance. When pushing the subject Matter to the very edge, try balancing the weight of the object with the visual weight of the rest of
The space.